hungary

  • Beke László and Bíró Yvette (1985) BBS Budapest: Twenty Years of Hungarian Experimental Film. New York. American Federation of Arts.
  • Burns, Bryan (1996) World Cinema: Hungary. New Jersey: Fairleigh Dickinson University Press.
  • Cain, Maximilian Le (2009) “Hungarian Rhapsody: The Experimental Forum at the 49th Thessaloniki International Film Festival“, Senses of Cinema, April/2009, Issue 50.
  • Cunningham, John (2004) “Experimental Cinema and the Avant-garde” in. Hungarian Cinema: from Coffe House to Muliplex. London: Wallflower Press, pp. 168–170.
  • Gaul, Bernhard (2013) “Revisited: Gábor Bódy”, bgx: mag, May/2013.
  • Gregus Zoltán (2009) Images of Strangeness in András Jeles’s Films. Cluj-Napoca: Babeș-Bolyai University, Department of Philosophy.
  • Hames, Peter (2004) The Cinema of Central Europe. London: Wallflower Press.
  • Horton, Andrew J. (1998) “Avant-garde Film and Video in Hungary”, Central Europe Review, vol.0. no.3. 12. October. 1998.
  • Kozma Éva and Peternák Miklós eds. (2009) Bauhaus Lab. Budapest. Film Workshop. Budapest: Center for Culture and Communication Foundation.
  • Kovács András Bálint (2002) “Gábor Bódy: precursor of the digital age.” in: East European Cinemas. Routledge. NY, London, pp. 151-165.
  • Liehm, Mira and Liehm, Antonín J. (1977) The Most Important Art: Eastern European Film After 1945. Berkeley: University of California Press.
  • Lovink, Geert (2004) “János Sugár. Intermedia: the Digital Bauhaus”, in. Uncanny Networks. Dialogues with the Virtual Intelligentsia. Cambridge: MIT Press, pp. 276-288.
  • MacDonald, Scott (2005) “Péter Forgács”, in. A Critical Cinema: Interviews with Independent Filmmakers. 4, Berkeley: University of California Press. pp. 289-311.
  • Pieldner Judit (2011) “Cinematic Image and Alterity in András Jeles’s Art”, Acta Universitatis Sapientiae, Philologica, vol. 3, 2, 2011, pp. 236-245.
  • Pieldner Judit (2014) “Remediating Past Images. The Temporality of “Found Footage” in Gábor Bódy’s American Torso”, Acta Universitatis Sapientiae, Film and Media Studies. vol. 8. 2014, pp. 59-78.
  • Raskin, Richard (1997) “An Interview with Marcell Iványi“, P.O.V. No. 5.
  • Turai Hedvig (2010) “Suspended Belief: On Art and Memory in Hungary”, ARTMargins online, 16. October 2010.
  • Siegfried Zielinski, Peter Weibel (2011) State of Images: The Media Pioneers Zbigniew Rybczyński and Gábor Bódy. Nuremberg: Moderne Kunst.